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Working on the SS George Washington Carver in a shipyard in California

Ask around wherever you live, and I'll bet you'll find more folks 'not from around here' than locals. And I'll also bet the reason they're Here rather than There is simple: Jobs.

Humans have been migrating to improve their prospects since Ice Age hunters crossed the Bering Strait. When I was researching my latest book, I studied immigration patterns of Norwegians to America. It's mind-boggling how many people risked everything for a chance to provide a better situation for themselves and their family. They may not have looked at it as moving for a job opportunity, but that's basically what they were doing.

Migration (as opposed to immigration) patterns are slightly different in that they occur within a country's borders. Just because you don't feel the need to change countries doesn't mean you won't be packing a bag to follow a job. Ask anyone in the armed services. Or at FedEx, which is how our family came to live in seven different cities (and six states) in eighteen years. These migration patterns are equally fascinating to me, perhaps because I have a personal connection.

The T6-Texan Trainer manufactured by the North American plant in the Dallas area

One of my favorite family tales involves the World War II era. My dad and his brother were born in a small rural town east of Dallas, Texas. They came from a long line of farmers, since those first Norwegian ancestors came to Texas in the 1850s. But the times, they were a-changin'. During the war, manufacturing boomed. Strict immigration laws enacted in the 1920s shut off the supply of foreign labor. Factories couldn't find workers fast enough. When war came and stimulated the manufacturing sector, many jobs were available for workers already living in America, regardless of race or gender.  The American work force increased dramatically as rural workers and women joined the ranks.

My paternal grandfather was among the first group. He went to work at the 'bomber plant', aka North American, later known as Ling Tempco Vought or LTV, in the Dallas area. Housing was scarce in the city. At first, he went alone and came home on the weekends. Eventually a room in town became available. Not a house. A room. So my grandmother was able to join him. There was only one problem. They had two sons, and the landlord would only allow one more person to occupy the lease. The decision was made: my dad's younger brother was to go to the big city with his folks. My dad would be left behind with his grandparents on the family farm. (Cue the sad violin music here.) As my dad was telling me this story, I tried to be brave, but I fear I may have experienced some eye sweat. I told him I thought this was one of the saddest things I ever heard. He said, "Why? I loved the farm. It was my home. My granddad spoiled me rotten. I was sad when I eventually had to move to the city with my folks." Shows what I know.

I grew up vaguely aware that my paternal grandfather worked in the war effort. It was only recently as my mom was telling me some of her family lore that I learned her father also came from their farm in rural Texas to work at the bomber plant. The same plant. (You may be wondering: did everyone work at this plant? Actually, yes.) In both cases, the families ended up relocating to Dallas permanently, leaving farm life behind. And if not for this, my parents likely never would have met, and that would have been exceedingly bad luck for me.

The green indicates increase in population; the purple, decrease. Map from census.gov.

My grandfathers didn't have far to migrate for their defense industry jobs, but many others did. Around four million people migrated to a war-related job in the World War II era and afterward. They often moved long distances, even cross-country. There wasn't a bomber plant or shipyard on every corner. They tended to be in northern cities or on the West Coast.

Migration was a societal force within the African American community in particular. They made up about a third of the migration figures quoted above. In 1940, an estimate 45% of African Americans worked on farms. By 1980, that number had shrunk to 1%. Many saw the war industry as an opportunity to escape lower status jobs as well as the Jim Crow segregation laws that dominated areas of the South at that time.

The tides turned again later in the 20th century when lower cost of living, fewer labor unions, and better weather enticed many companies to relocate their operations back into the South. I never met a Yankee or ate a bagel until some time in the 1980s. Now, they're everywhere (including in my house - my husband is from Philadelphia).

I'm very curious to see what the next job migration wave will be, if any. So many people work remotely these days. The next iteration may be greatly simplified. Instead of predicting which part of the country will see an influx of workers, it may just be a matter of determining which room in the house works best as a home office.

My current workplace

This originally appeared as part of the 2016 A to Z Blog Challenge. 

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2

This drawing is often associated with Hugh Glass. I have been unable to discover who drew it. Still, pretty cool. The bear claw necklace is an ironic touch.

Be still, my historian heart! Ever since I learned the movie The Revenant was based on the life of Hugh Glass, I've been beside myself with glee. Colorful characters like Glass are the reason I converted to full-on history nerd. I can't argue with those who say history is boring. It can be very tedious if one is bombarded with nothing but names and dates and memorization. But people love a good story, and history is full of good stories.

When I was getting my Masters in history back in the day, I focused on American history prior to 1900. Exploration of both the New World and the American West were my favorite topics. There was just something about the bravery and drive of individuals who were willing to forge ahead into unknown lands that captivated me. So when I heard about this movie, I dug out my old handwritten notes (transcribed while spending endless afternoons at the university library, which, thanks to some lingering pack rat tendencies, were still carefully preserved in a few yellowing folders). This method of acquiring knowledge is now laughably quaint. I can now find ten times the amount of information in one tenth the time thanks to Google.

Thanks to The Revenant film, there are many articles online about Mr. Glass and his amazing life. I'll give you the broad details and if you're interested in learning more, that's wonderful, and that's what Google is for. Much of what we know about Hugh Glass is from word of mouth from himself and others; hearsay, tall tales bordering on mythology. Who knows how much of this really happened? Mountain men not only lived adventurous lives; they were known for their propensity for spinning yarns, especially when regaling greenhorns like newspaper reporters and dime novelists. Indeed, at the annual trapper 'rendevous' - think Sturgis without the motorcycles - a liar's contest was featured, along with games, gambling, and drinking.

Mr. Glass is most well known for surviving being left for dead after a grizzly bear attack while on a scouting expedition in South Dakota in 1823. His will to survive (plus IMO his thirst for revenge on the two comrades who abandoned him to his fate) drove him to drag himself 100 miles back to the nearest outpost, Fort Kiowa. I don't know if this story line will appear in the movie, but prior to his frontier days, Glass was rumored to have escaped impressment into the crew of pirate Jean Lafitte by jumping ship and swimming two miles to the Texas coast.

Amazingly, Glass is hardly the lone example of mountain men for whom cheating death was part of the job description. I've put together a chart to summarize a few other mountain men to demonstrate the similarities. And by no means is this list conclusive. These nuts were as plentiful as acorns on an oak.

Mountain Man Survived Grizzly Attack Attacked by Indians Killed by Indians Returned to Civilization Died in bed Book Written About Movie Made About Historical Marker(s)
Hugh Glass 1785-1833 1823 1823, 1824 Arikaras, 1833 The Revenant (2015) Shadehill SD
John 'Liver-Eating' Johnson 1900 aka 'Crow Killer' too many to count Jeremiah Johnson (1972) Cody WY
John Colter 1744-1813 1809 (2), 1810 Stuart's Draft VA
Jim Bridger 1804-1881 Bridger MT
Kit Carson 1809-1868 1834 1833, 1838, 1843, 1846 Kit Carson (1940) many
Jedediah Smith 1799-1831 1823 1823, 1827, 1828 Comanches, 1831 many

Less well-known, but equally colorful:

  • Mike Fink, the Ndamukong Suh of mountain men. He reputedly bit off the nose of a fellow mountain man during a fight, and killed another during a drunken game of William Tell.
  • Jim Clyman, who became separated from his companions and survived a two month hike to Fort Atkinson by employing such survival skills as killing his dinner with leg bones scavenged from a wild horse skeleton.
  • "Old Bill" Williams, a former Methodist minister known for his eccentric ways (and to be thought eccentric by mountain men should tell you something about his personal habits). While setting beaver traps, he was beset by three Blackfoot Indians, who shot him twice with arrows and made off with his rifle, Old Fetchem. Guns being the frontier equivalent of gold bars, Old Bill was not satisfied to escape with his life. He meant to recover his rifle. He dug out the arrowheads, tracked the Blackfeet, and killed two of them as they slept off a big dinner of fresh buffalo. The third he scalped but allowed to escape so as to spread the word he was not a trapper to be trifled with.

You might be wondering why in the world anyone would want to embrace a lifestyle in which run-ins with grizzly bears and hostile natives was fairly common. Then, as now, it was partly due to opportunity. After Thomas Jefferson bought the Louisiana from France in 1803 and the Lewis and Clark expedition explored over 800,000 square miles of land and found it exceeded expectations, opportunists of every stripe headed west. These were the entrepreneurs of their era, unwilling or unable to fit into society's existing employment structure: craftsmen, teachers, farmers, the military. The requirements for having a go at the frontier life were simple. Can you hunt? Can you fight? You're hired. Many were also attracted to, in the words of author John Myers Myers, "the way of life in a region so remote from all fountainheads of law and decorum".  Wild West, indeed.

It's gratifying that at least one person other than me (the author of the book The Revenant is based on, for one) finds this stuff so interesting. All of these other characters deserve a book and a movie and a television series of their own. History nerds:  keep cranking out content! Maybe one day one of our names will appear in the credits of a film starring an impossibly handsome actor made impossibly grubby thanks to some makeup artist's fine skills. You'll have to wait until the final credits, but it'll be worth it to see: 'based on the book by [insert your name here]'.

Recommended reading:

Bravos of the West by John Myers Myers

A Life Wild and Perilous by Robert M. Utley

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The main character of my book The Dala Horse, is a 10-year-old girl growing up in a Norwegian immigrant settlement in post-Civil War Texas. Her parents were born in Norway, but she was born in Texas. The book is inspired by the early Norwegian immigrants to Texas, including my own ancestors.

The definitive proof . . .

People are usually surprised to learn there are Norwegians in Texas. While it’s true most Norwegian immigrants to America settled farther north, some intrepid souls did choose the Lone Star State.

Norwegian immigrants came to America in three major waves in the second half of the 19th century. But the earliest came during an economic downturn after the Napoleonic Wars 1807-1814.

Norway had outgrown its ability to provide enough food for its population. If you imagine Norway is a top hat, only the narrow brim is practical for farming due to the mountainous terrain. In the 1800s, only about 3% of its land was under cultivation, mainly due to Norway’s geography.

In addition, prosperous farmers who invested in commercial agriculture to take advantage of this imbalance lost out when domestic markets fell to cheap imports. Many went bankrupt.

Faced with a transition from an agricultural to a money economy, many found immigration more attractive than moving to cities. After all, exploration and adventure was in their Viking blood! Pair this with the generous land policies in Texas, and it's easy to see why so many were willing to risk the journey.

Immigration was also fueled by the 19th century version of social media: newspapers, magazines, and letters from friends who had already moved away and liked the result.

Early emigration proponents included

All three had tremendous influence on Norwegian immigration patterns. All spent their final years in Texas and are buried there.

Johan Reinert Reiersen

Of the three, Reiersen perhaps had the most impact bringing Norwegians to Texas. He visited the fledgling republic while touring America in the 1840s.  He traveled to Austin and met with Sam Houston.

Reiersen was favorably impressed by Houston’s offers of support for any immigrants choosing Texas as their new home. Reierson’s book, magazine, and newspaper articles influenced many to join him there.

He and a small group of settlers founded the first Norwegian community in Texas in 1845. Initially called Normandy, today it is known as Brownsboro.

(However, they were not the first Norwegian settlers in Texas. That would be Johannes Nordboe, who had settled near present day Dallas in 1838.)

Cheap land - and plenty of it! - undoubtedly was a major factor in convincing immigrants to move to Texas. After Texas became a state in 1845, a married couple could claim a 640 acre section (one square mile). At that time, the average farm in Norway was 2-20 acres.

Not 220.

Between TWO and TWENTY.

The process of staking a claim in Texas varied, but went something like this:

  • claim the land
  • establish a home and cultivate at least 10 acres
  • occupy at least 3 years
  • pay for survey

And the land was yours, for anywhere from free to $2/acre.

No wonder immigrating to Texas sounded like a pretty good deal! The land was plentiful and cheap, but that was only a small part of the cost to immigrate. Immigration was booming. The ship captains were no dummies, and fares were at a premium.

As an example, immigrant one immigrant's fare on the ship New England from France to New Orleans was about $950. The fare on the riverboat St. Helena was $75 from New Orleans to Shreveport.

And this does not include her voyage from Norway to France. Or traveling overland from New Orleans to her final destination in Texas. One inflation calculator estimates $100 in 1847 to be worth about $2,750 today. Using that formula, her relocation to America cost around $30,000. And this was certainly not for first class accommodations. She traveled below decks with all the other passengers, and cargo, and animals.

After all the trouble and expense of immigrating from Norway to Texas, the original settlement of Normandy did not live up to the settlers’ expectations. Illness and other factors precipitated a relocation in 1848 to nearby Four Mile Prairie/Prairieville. More settlers arrived in 1850, bringing the Norwegian contingent to 105. Still seeking better quality soil and water, many Norwegians pushed further west in 1854 when Bosque County was created. The communities of Clifton, Cranfills Gap, and Norse became the Norwegian stronghold in the state.

Norwegian settlements 1 - Normandy 2 - Four Mile/Prairieville 3 - Bosque County Note: map by Daniel Feher at freeworldmaps.net; red numbers added by me

 

The Bosque County location proved most successful for the Norwegian immigrants. Today it is home to Norse heritage resources such as the Bosque Museum and the Cleng Peerson Institute.

Statewide population of Norwegians in TexasCensus records of the time reflect a slow but steady influx of Norwegians.

1860 = 321

1870 = 552

1880 = 941

One estimate of the number of Texans of Norwegian descent today is around

My great-grandfather Ole Olson with his son Kenneth ca 1930

129,000.

Several Norwegian societies have chapters in Texas, including

Scandinavian Friends

Fun facts about Texas Norwegians, or 'Texwegians'

For more Texwegian fun, check out my book, The Dala Horse, now available on Amazon. 

Now available at Amazon

10-year-old Kaya Olson lives in a small Norwegian immigrant settlement in post-Civil War Texas. When her mother is killed, Kaya feels responsible. Can she uncover the secrets her family is keeping to solve the mystery surrounding her mother’s death?



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Mystick Krewe of Comus invitations - notoriously hard to come by

Look at this beauty: an invitation to the Mystick Krewe of Comus' 1867 Mardi Gras ball.  Most are familiar with the springtime New Orleans extravaganza. But what's up with the krewe business?

First, let's clarify what's going on with the word 'krewe'. It's pronounced the same as 'crew', but the founders thought it would be fun to give a shout-out to John Milton and spell it old-style. Krewes are basically private clubs. Membership is select and usually requires a fee. Some membership rosters are secret. The fee varies widely, from a few bucks to thousands. Think country club membership, without the golf. Their purpose is to make a splashy contribution to the Mardi Gras celebration.  This usually takes the form of an elaborate parade float with all the accoutrements (costumes; items like fake coins and cheap beads to throw to the crowd). Some also throw a big party on Mardi Gras night, from lavish balls to tailgate-style cookouts.

The Comus Krewe is the oldest New Orleans krewe, founded in 1857.The founders were familiar with the long tradition of elaborate Mardi Gras celebrations in Mobile,

The theme for Comus Krewe's floats in 1867: Epicurean

Alabama, which began in 1703. Yes, that's right - Mobile is the birthplace of the Mardi Gras celebration as we know it, not New Orleans. Not to be outdone by their Gulf Coast neighbors to the east, the Comus Krewe put on quite the shindig at home in New Orleans that spring. It was a big hit. Word got around. In subsequent years, folks traveled from near and far to observe the annual New Orleans parade. And thus a multi-million dollar tourist industry was born.

Like some country clubs, membership in Comus was limited and pricey. It wasn't long before other krewes sprang up to fill the void created by their snootiness. Some were copycats, equally pricey and snooty. Some were more casual, catering to underserved (read: folks Comus wouldn't allow in their club, like non-whites, non-Protestants, non-men).

Flights of Fancy 1901 Mardi Gras parade float designed for Comus Krewe by Jenny Wilde, one of the first female float designers via Tulane University Library

Comus Krewe operations flowed more or less without interruption until they hit a bump in the parade route in 1992, when New Orleans passed an anti-discrimination law. Comus chose to withdraw from parade participation rather than comply with the new law as it applied to their membership. They still hold their annual ball.

Most of what you've read up to this point is more or less verified and accurate, as accurate as anything can be that is based on online research. This last bit is to be viewed with an exceedingly skeptical eye, but it was so outrageous and, dare I say, crazy, I had to share:

Diligent Googling about the Comus Krewe may also steer you to a website claiming to be a transcription of a deathbed confession by a former member. In it, he claims the krewe was a front for a secret society composed of anarchists, murderers, and (gasp!) Yankee bankers. The argument is made that certain founders of the Krewe had ties to powerful financial interests that supported the creation of the Confederacy, and therefore were behind all manner of mayhem to bring this to pass. It makes all kinds of claims connecting Comus Krewe to the Bank of Rothschild, the Illuminati, the Masons, the assassination and attempted assassination of various high ranking politicians, including James Buchanan, Zachary Taylor, William Henry Harrison (presidents all) and longtime Louisiana politician Huey P. Long. The confessor does say most krewe members were unaware of the diabolical deeds the ringleaders orchestrated.

The article is long, as conspiracy rants tend to be. It needs a good editor. It's probably a load of nonsense. But if you're a conspiracy theorist, or you're looking for some story ideas, check it out. The Comus Krewe confessions might lead you somewhere even more entertaining than the French Quarter during Mardi Gras.

This post originally appeared during my participation in the 2016 A to Z Blog Challenge. 

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All the hubbub about the Seth Rogen/James Franco comedy The Interview and its accompanying alleged North Korean threats against anyone showing/seeing the film, marketing strategy conspiracy theories, and censorship issues got me wondering if any other movies had caused a similar ruckus. After all, history tends to repeat itself. I challenge you to show me any recent headline that hasn't been seen or done before. And history proves me right in this instance, natch. Lots of movies have caused public uproars. Focusing on political films that directly target the leader of another country narrows the field considerably. Add debuting while said leader is still in power, and you get a very small sample size.

If you were ringing in on this topic on Jeopardy, you might answer, "What is The Great Dictator?", Charlie Chaplin's famous 1940 classic satirizing Adolf Hitler. However, another production caught my eye. I was delighted to learn there was an even earlier film by none other than the true kings of comedy: my childhood favorites, The Three Stooges. Their film, You Nazty Spy, beat Chaplin to theaters by several months. Moe Howard plays 'Moe Hailstone' aka Der Fuehrer, with Larry as 'Larry Pebbles' (Joseph Goebbels) and Curly as 'Curly Gallstone' (Hermann Goering). The 18-minute short film is full of Stooge silliness, physical humor, and so many puns, inside jokes and innuendo, I have to wonder how much of it the audience got on first viewing. After all, in 1940 there was no VCR, DVR,YouTube, or Wiki technology to ensure you got all the jokes.

Moe is the perfect Hitler (actually, with the addition of that little black smudge of mustache, any of us could pass). His stage persona as the bully of the threesome served him well as he ordered everyone around, shouted from podiums, and used that stiff arm salute to full advantage.

The plot thickens with the additional info that the three stars as well as the director, Jules White, were all of Jewish descent. It is tempting to cast these comedic icons as living dual lives as intrepid resistance leaders, but history does not quite bear this out. In 1940 it was common knowledge that the Nazi regime was anti-Semitic, but Jews were just one among many groups they targeted. It is doubtful either the Stooges or White were aware of the extent of the atrocities being committed or planned at the concentration camps. The idea for the short film may simply have been a combination of revenge fantasy, savvy co-opting of current events, and an irresistible desire to satirize such a ripe subject.

It is also tempting to envision You Nazty Spy as a heroic artistic statement that re-focused public opinion and precipitated the eventual fall of the Third Reich. Alas, again historical data points otherwise. Before the Pearl Harbor attack in 1941, many Americans felt strongly about staying out of the European conflict. The faltering economy during the Great Depression, plus lingering memories of the atrocities of World War I had few in a mood to get involved in another foreign dispute. I tried to find out how the film was received; no luck. As a short film, it likely would have been bundled with other media such as a full length feature, a news reel, etc., thus making it difficult to determine how it fared individually.

The film was lucky even to have been made. Prior to our current movie ratings system, there existed a movie censorship system known informally as the Hays Code. The Hays Code was developed as a sort of moral compass for a movie industry that many felt had gone off the rails in the early part of the 20th century.  The code listed many topics and behaviors to be avoided. Movie producers/directors submitted their screenplays to the censor. Movies that passed muster got made. Movies that didn't, didn't. You Nazty Spy violated the Hays Code as it related to causing 'willful offense' of foreign nations, but likely squeaked through because it was a short film - full length feature films were the focus of the censor's scrutiny.

Messrs. Rogen and Franco have some large shoes to fill, three pairs' worth between the two of them. They're funny, but Three Stooges-level funny? Only time will tell. I don't know if the writers were aware of You Nazty Spy as they wrote The Interview. There are some interesting parallels to be drawn between the two films, never mind the 70+-year gap in production timeline:

Satire Sells

The Three Stooges were busy fellows. They were under contract to shoot several short films annually. With such a long career, it probably wasn't long before the idea well began to run dry. Then, as now, current events to the rescue! And what better way to bring attention to a grim, humorless topic sore in need of public awareness than education masquerading as comedy? If you don't believe this, compare the box office earnings of most wretched, juvenile, bathroom humor bomb to the highest of highbrow documentaries. Not. Even. Close.*

Beware the Bomb

The international hubbub over The Interview (whether real, or, according to the conspiracy theorists, a marketer's wet dream) made the term 'box office bomb' fearfully literal. Anonymous bomb threats to any theaters showing the film probably had many re-thinking their holiday viewing plans. The Stooges had their own bomb scare, but not over their Hitler film. Earlier in their career, they had a less than amicable split with fellow performer Ted Healy. Healy threatened to bomb theaters where Three Stooges performed if they pursued a career without him. Thankfully, both threats were empty (so far).

The End - Spoiler Alert

If you finish your dinner, you get to wear your dinner's hat

Both films chose to off their protagonists. I haven't seen The Interview, but I understand Kim Jong-un loses his head in a rather violent fashion. In You Nazty Spy, Hitler and his cronies don't make it out alive, either, although their demise is not shown on screen - only suggested by a roar and a belch. The Stooges going for subtlety - imagine that!

I haven't seen The Interview. I was all for seeing it for solidarity, but the more this story unfolds, the more I wonder if this hasn't all been a huge publicity stunt. I think I'll wait it out. I've got 219 more Stooges films to catch up on.

*For example, 2014 figures for #78 out of 100, the comedy Sex Tape earned $38.5 million domestic. Top grossing documentary 2014, something called America which hardly seems to fit my 'highest of the highbrow' requirement, but whatever: $14 million. Citizen Four (about Edward Snowden) is perhaps a better match, raking in a (relatively) paltry $2 million. Figures from BoxOfficeMojo.com.

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Have you read Matthew Goodman's Eighty Days, the story of two intrepid female journalists who were the 19th century version of Amazing Race contestants? The book is filled with history nerd goodies. Its brief passage about the Statue of Liberty sent me down a very satisfying rabbit hole. And why, you may be wondering, is the Statue of Liberty included in a book about a race to circle the globe in 1889? Keep reading, and you will find out.

Liberty's torch arm displayed in Madison Square Park, NYC

Statue of Liberty fun facts:

  • The Statue of Liberty debuted on what was formerly known as Bedloe Island in the New York harbor in 1886. Bedloe was artist Frederic Bartholdi's second choice as a location for his work. Originally he hoped to install a large statue of a woman holding a torch as a lighthouse for the newly completed Suez Canal. But Egypt was low on cash - their cotton profits nosedived when blockades of the Confederacy lifted after the Civil War, and American cotton was back on the market. So Bartholdi had to look elsewhere for a potential location (and buyer!).
  • After the Union victory in the Civil War resulted in keeping the union, well, a union (and abolished slavery in the process), a movement arose in France to honor these achievements (The U.S. - France on-again, off-again relationship was ON). It was suggested by one of France's movers and shakers, Eduoard de Laboulaye, that France commemorate our achievements with a grand gesture. Luckily for Bartholdi, Laboulaye was a friend and likely knew Bartholdi had that lady statue project in mothballs. And thus the Statue Formerly Known As An Egyptian Lighthouse was born. Miss Liberty cost about $250,000, all funded by donations from the French people.
  • So the statue was built and paid for, but what to place it on? You can't just set a 150-ft. tall copper structure weighing almost half a million pounds on the bare ground! As part of the gift deal, the U.S. agreed to pay for a pedestal since the generous French folk underwrote the statue. The pedestal ended up being just as big of a project, almost the same height as the statue and exceeding its cost by $20,000. But in a post-Civil War, Reconstruction economy, contributions lagged. Portions of the still-disassembled statue were put on display in New York City and elsewhere to generate buzz. It was not until Joseph Pulitzer (yes, that Pulitzer) published this heartfelt appeal in his newspaper, The World, that donations poured in. Most were under $1.*

We must raise the money! The World is the people's paper, and now it appeals to the people to come forward and raise the money. The $250,000 that the making of the Statue cost was paid in by the masses of the French people- by the working men, the tradesmen, the shop girls, the artisans- by all, irrespective of class or condition. Let us respond in like manner. Let us not wait for the millionaires to give us this money. It is not a gift from the millionaires of France to the millionaires of America, but a gift of the whole people of France to the whole people of America.**

  • The pedestal's architect, Richard Morris Hunt, was the first American to attend the prestigious Ecole des Beaux Arts academy in Paris. He also founded the American Institute of Architects (AIA).
  • Made of copper (think pennies), Liberty was originally brown for her first 30-40 years until the green patina we are so familiar with today gradually appeared.
  • The project engineer, in charge of designing an interior framework capable of maintaining structural integrity, was Alexander Eiffel (yes, that Eiffel).
  • Liberty's completion was celebrated with New York City's first ticker tape parade.

    Charlotte Bartholdi at left sans crown
  • Bartholdi is said to have modeled Liberty's face after his mother, Charlotte. This means either he was eligible for Son Of The Year, or had no money to pay models.

 

 

*This is the connection to the Eighty Days story - one of the two female globetrotters worked for The World.
**Quote (and much other info in this post) from the National Park Service's Statue of Liberty page.

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The Melungeons are described by those who study such things as a 'tri-racial isolate'. They're a group of people of different ethnicities who have intensified their bloodline by not venturing far from where they were born and raised. Before I started my research, I tried to recall where they tend to be found. Part of me thought somewhere in America, but I had doubts because that unique moniker had me wondering if they were of a more exotic locale, like Bulgaria or Peru.

Part of what drew me to this topic is the word itself. It looks intriguing, all those letters jumbled together in a unique way. And when you say it and hear it, it had a woven quality, meshing together very much like the ethnic origins of the people themselves.

The Melungeons are described by those who study such things as a 'tri-racial isolate'. They're a group of people of different ethnicities who have intensified their bloodline by not venturing far from where they were born and raised. Before I started my research, I tried to recall where they tend to be found. Part of me thought somewhere in America, but I had doubts because that unique moniker had me wondering if they were of a more exotic locale, like Bulgaria or Peru.

I was right the first time. The Melungeons are typically found in Appalachia where eastern Tennessee and Kentucky border Western Virginia. The 'tri-racial' term comes into play because they are theorized to be a mix of African American, Native American, and European American. They tend to have dark hair (often straight), dark eyes, and swarthy skin.

Not everyone agrees it is the African American and Native American cultures that are responsible for the Melungeons' darker physical features. Some suggest Portuguese, Black Dutch, Turks, Sephardic Jews, even Phoenician bloodlines may be responsible. Basically, if you were ever a sailor and may have shipwrecked on the Mid-Atlantic Coast in the 1600s, there is probably a Melungeon theory about you.

The simplest explanation is often the correct one, and the simplest is that early settlers who came to America as indentured servants, and therefore free people (as opposed to slaves), intermarried. Over time, their offspring became a challenge to identify precisely as one race or another. As time passed and laws shifted, claiming African American as your ethnic group became less attractive. When slavery became more widespread in the Mid-Atlantic and elsewhere, it was powerful motivation for those of mixed race to self-identify as something other than African (such as Native American or Portuguese). Other laws and cultural conventions contributed to this confusion.

  • In some cultures, children claim the ethnic group of their mother, regardless of what their father contributed to their DNA. So a child of a white mother and a non-white father would identify as white.
  • Bureaucracy intervened in the 1700s for tax reasons, basically trying to close a loophole by insisting anyone of mixed race could no longer identify as Native American which left African American as the only other option. They got a higher tax rate on African Americans, you see.
  • Flash forward one hundred years when slavery was going full blast, and they put the clamps on self-identifying by requiring you figure out some math to validate your ethnicity. Anyone who was less than 1/8 non-white was allowed to identify as white.
  • In the 20th century, some states including Virginia espoused the 'one drop' rule, reversing the 1/8 standard by saying anyone with one drop of African American blood was considered African American.
  • On top of all this, add laws that prevented marriage between different races. Mixed race peoples often intermarried to punitive measures. It was just easier.

The people now referred to as Melungeons did not come to be called so until around the 1800s. The word itself has some mixed etymology, which is only appropriate. The phrase mal engin appears in a 16th century poem, translating to 'ill intent'. But I like this other theory better: that it comes from the Angolan word malungu or malungo meaning companion, often used to refer to fellow shipmates and seen in Portuguese records. This theory meshes nicely with the colonization and melting pot image of early America and therefore is my favorite. Highly scientific.

Members of the Goins family

The Melungeon culture is not something banished to a few posts online. They still exist in their corner of Appalachia. The surnames Gibson, Collins, Riddle, and others often can trace their lines to Melungeon origins. Family tree researchers generate many leads and interesting theories for your Googling pleasure. If you have relatives from that part of the country, you might have some Phoenician blood. Who knew?

This post first appeared during my participation in the 2016 A to Z Blog Challenge.

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The birth of the automobile industry reminds me of other business booms.

Mr. and Mrs. Pandolfo show off their baby

Somebody gets a great idea, or has some success, and suddenly everybody jumps on the bandwagon, hoping to cash in before another fad takes its place. History, and lots of barns you see on American Picker, is/are littered with the carcasses of the cars that didn't make it. The Pan Car falls into this category.

The Pan Car concept was conceived by a fellow named Samuel Connor Pandolfo. As a traveling salesman, Pandolfo felt his ideas for making a travel-friendly vehicle would be a success. The Mississippi-born Pandolfo planned to locate his manufacturing plant in St. Cloud, Minnesota, northwest of the Twin Cities. St. Cloud had easy access to two things a car factory needed: plenty of iron ore to build them with (they don't call that area the Iron Range for nothing); and a way to ship them to market (via rail to the shipping hub at Duluth).

Pandolfo did a 1917 version of Kickstarter and hit the road selling inexpensive shares of stock to fund his dream. He threw the mother of all barbecues to celebrate the prototype - and sell stock. He tried marketing by mail - to sell stock. He sold a lot of stock (around $10 million by some estimates), but car factories cost a bundle to build and run. Between car sales and stock sales, he just wasn't able to cover his expenses. Some considered his business plan something of a swindle. (I feel the pain. Ask me about my shares of Excelsior Henderson motorcycle stock.) Some say Pandolfo was a victim of auto and other big business conspiracies to block his success. He was convicted of mail fraud and did some time.

I'm likin' the two-tone

Fewer than 1000 Pan Cars were sold before the factory was forced to shut down. Today there are only about seven Pan Cars known to exist. A dedicated group of Pan Car enthusiasts scours the nearby countryside in search of overlooked Pan Cars, but usually must be satisfied with bits and pieces which they have painstakingly rebuilt over the years. The Pan Car price started at $1,000. Today, if you could find one, depending on the condition it could be worth five figures. How much, I don't know. I'm in the process of reaching out to some folks who can give me a number. In the meantime, I'll continue to ponder on this flash in the Pan.

This post originally appeared in the 2016 A to Z Blog Challenge

This post originally appeared during my participation in the 2016 A to Z Blog Challenge. 

Here's where all my time wasted spent playing Words With Friends pays off. Stumped for a topic for a troublesome letter like Q and what do I do - gnash my teeth and grub around in the closet for my hair shirt? Nope! I hit up the cheater Scrabble page and find a Q word to riff on. And this one is a dandy.

Scams via infomercials and email are just the latest iteration of snake oil salesmen/women. They have a fine tradition in print media long before the Internet came along. Preying on an unsuspecting and uninformed public is their stock in trade. Take for example:

I don't know about you, but I'm totally not wearing anything on my face that has the word 'toilet' in its name.


Decorative Page Dividers - ClipArt Best

And where was this little beauty when I was looking for a topic for P??

Decorative Page Dividers - ClipArt Best

Know someone who drinks too much booze? Get them addicted to cocaine instead!

Decorative Page Dividers - ClipArt Best

Gives a whole new meaning to the phrase 'hat hair'

Decorative Page Dividers - ClipArt Best

So let me get this straight: it's advertised for a male condition; and, you 'buy it for your husband'? Genius! Probably comes in a brown paper wrapper to boot.

Decorative Page Dividers - ClipArt Best

I vote we bring back both the condition known as 'hysteria', as well as this cure for it. Are you with me?

I see quackery advertised every day online. It's a dead giveaway if they promise something in X number of easy steps, or magical results if you share with everyone you know. But none of them come close to being this artful, or this funny (even though they didn't intend to be).  Thanks, quacks, for the best laugh of the day.

Fun page dividers from clipart.co

Photo by Daxis on Flickr

My home town of Dallas, Texas often ranks high in those contests judging the beauty of the downtown skyline. I may be biased, but I agree. One of my favorite features is the Bank of America building with its stylish bright green outline. At the time it debuted in 1985 it was a bold choice, outlining the largest building in town in what one could describe, literally and accurately, as screaming neon. Many more buildings have sprung up over the last thirty-odd years, but it still easily holds its own with its distinctive signature color.

Technically speaking, the green glow resulted from argon gas, not neon. It was updated to LED technology in 2013, which gives the option of changing colors for special occasions.

The Bank of America building outline and others like it are the descendants of the original neon lighting. Neon gas was discovered in 1898. It was available in limited amounts until a Frenchman called Georges Claude figured out how to produce it in quantity. There are unverified reports that it was one of the wonders displayed at the 1904 World's Fair in St. Louis, which I discussed in a recent blog post. One of Claude's employees saw the potential for neon in the sign business. Red neon advertisements became all the rage in Paris and elsewhere.

I won't pretend I have the mental chops to fully understand how neon signs work, but it appears to be a function of applying electricity to a glass tube that has been filled with gas. Originally, neon created a red glow. It is still used for red, orange, and some pink tones. Cooler colors like blues and greens are created using argon, mercury, and sometimes a special paint coating in the glass tubing.

America's first neon sign was initially thought to be commissioned by Earle C. Anthony for his Packard auto dealership at 10th and Hope streets in Los Angeles in 1923. Researchers have cast doubt on this claim, however. Regardless of its birth year, the Los Angeles sign definitely caused a stir, resulting in traffic jams as people marveled at the 'liquid fire'. Soon businesses nationwide were clamoring to install their own glowing letters.

Perhaps no city embraced the new colorful signage more fondly than Las Vegas. As

Las Vegas, where all good neon (and argon) goes to die

the technology advanced, blinking and waving and diving and dancing signs populated the marketing landscape. Even if you're not into gambling, it's worth a visit to cruise The Strip and bask in its neon glow. While you're there, give a nod to the noble gas neon - lighting up our nights since 1898.

This post originally appeared during my participation in the 2016 A to Z Blog Challenge.